In a game like Breath of the Wild or even a modern Ubisoft game, exploration has taken on a different meaning than what I’m suggesting Hollow Knight does. The most important step is the last one: you need to explore. That requires you buying a quill so that you can bolden those lines and boundaries while building on the foundation he provides. He draws landmarks and teases what may be there, but leaves it up to you to fill it in.
First you need to find Cornifer, the map maker and buy his map, which is at best a faint impression of what’s all there in any given area. Because of this, mapping in Hollow Knight is a much more involved process. It’s a style of exploration that harkens back to the days before games even had built-in map systems. While your typical modern Metroid-style game fills in the map as you run through its chambers, you need to purposefully map out the area yourself in Hollow Knight. It’s a longform escape sequence aided by a great mechanical twist: you don’t have a map of the area. Considering that you do literally fall into this area, your appearance there is an unfortunate accident and it’s one you spend the rest of your time there trying to remedy.
It’s violence and terror, personified and realized better than most horror I’ve experienced. You hear the constant chitter of the very enemies that might devour you while their silhouettes writhe in the foreground and you navigate its suffocating passageways. It’s one of the deepest and darkest corners of the kingdom of Hallownest, but exploring it is still exhilarating. Nothing quite beats how insufferably oppressive Deepnest is.
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